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| Original Title: | Teatro grottesco |
| ISBN: | 0978991176 (ISBN13: 9780978991173) |
| Edition Language: | English |
Thomas Ligotti
Hardcover | Pages: 312 pages Rating: 4.1 | 3558 Users | 370 Reviews
Itemize Out Of Books Teatro Grottesco
| Title | : | Teatro Grottesco |
| Author | : | Thomas Ligotti |
| Book Format | : | Hardcover |
| Book Edition | : | First Edition |
| Pages | : | Pages: 312 pages |
| Published | : | November 30th 2007 by Mythos Books LLC (first published September 1997) |
| Categories | : | Horror. Short Stories. Fiction. Fantasy. Weird Fiction |
Commentary During Books Teatro Grottesco
This collection features tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.Rating Out Of Books Teatro Grottesco
Ratings: 4.1 From 3558 Users | 370 ReviewsComment On Out Of Books Teatro Grottesco
One of the weirdest, most unsettling books I've ever read. Very enjoyable.I'd been pre-warned that Ligotti was something of an anomaly in the world of writing - an author who created strange, horrifying and sometimes incomprehensible stories...all eerily positioned in the everyday, the mundane and the wholly relatable. Reading through this collection of short stories, it was immediately apparent that I wasn't in for an easy ride, which I welcome from time to time (it's nice to be challenged!).Thomas Ligottis distinctive style maintains an intriguing continuity throughout much of this collection, with varying degrees of success in the choice of narrative vehicle, each of which runs on similar fuel: a stoic acceptance of the futility inherent in everything (excepting for a slight ambivalence toward the art that in turn acknowledges said futility). Having not read Ligotti before nor read about his influences, I was most curious to experience his style firsthand. Rather unexpectedly I
This collection of thirteen tales can be labelled horror, but not in the conventional sense: these reflect an existential horror, in which enigmatic and superficially placid individualsall suffering from Q-balls interfering with the orderly functioning processes of the mindfind themselves lost and stranded within unfamiliar and nightmarish settings that unfold like the dreams of a rachitic madman. The everyday world in which Ligotti's stories take placethis cramped existence itselfis never less
Industrious NihilismLook not here for meaning. But, upon finding any, do try to restrain your enthusiasm. The meaning of these stories is that there is no meaning. Our instinct is to fight against this, to supply explanations or additions to Ligottis prose. We are prone to create meaning out of thin air, as it were. But with Ligotti, dont. Meaning doesnt exist out there. And whats in here is totally arbitrary, including, of course, the absence of meaning. One suspects a limitation with the
"And no matter what I say cannot resist or betray it. No one could do so because there is no one here. There is only this body, this shadow, this darkness."I remember picking this one up several years ago, and reading the first story Purity, and putting it down for reasons I can't really describe without feeling a bit ashamed...Obviously, I did't get it; I wasn't ready, and I had better things to do like picking up "better" books... and by "better" I mean the ones that could be interesting to
Thomas Ligotti's work has been hard to find in the UK. When I picked up this edition (published by Virgin in 2008 from the 2006 US hardback), I feared that it would be another general anthology largely duplicating the only other available text - The Shadow At The Bottom Of The World. Of course, there are very many overlaps (most notably Purity, The Red Tower, The Bungalow House, Severini and Teatro Grottesco itself) but the two books are complementary and not competitive. Why? The 'Shadow' (to
This was the collection that made me a Ligotti fan for life. While I'd already owned and read his previous collections -- and for the most part enjoyed them -- it wasn't until I cracked Teatro Grottesco open in 2008 that something unlocked in my brain, allowing me to become fully absorbed in his nightmarish worldview and disorienting prose, both here and when re-reading his earlier collections.Ligotti had definitely evolved a lot as a writer by this period (mid-90s to early-2000s). Mostly gone
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